curl shells trace-white [ ], embodied melt wet the storm does not hesitate to break its thunder barbed ] rainsoft ] sharp inside soaks my goldenflower crown her mouth on me robed tongues
Author's Note:
I wrote this fragment poem as the sky grew dark and I felt moved,
as storms do, to envelop and overtake
the heat, the trees, the static,
taste the electricity in the air as the atmosphere
grows thick with the waiting for a thing to penetrate, to erupt;
which is a marked feeling —
though fleeting, often unnamed.
I wished to explore what poetry can do when bared,
how it can inhabit, penetrate, impregnate
a particular place in the psyche,
in the phantom body,
by way of what is offered,
and what is withheld.
White space, erasure, absence —
whether torn into the page by the unpredictable
corrosion of time,
or deliberately carved into the marbled presence,
with tools, with intention, precision —
nonetheless speaks.
In the vast openness, the figure of a second poem emerges from within the first (or vice versa).
An echo in the emptiness which illuminates its features.
A work and its resonance with itself.
This poem — its form and its delicate eroticism — was inspired by Fragments of Sappho, as translated by Anne Carson (If Not, Winter, 2002). Highly recommend, for the sincere poetry devotee; the exquisitely rare poetry lover who wants nothing more than to worship at the altar of a single word. Agonize over its beauty; be ecstatic for its singular existence. Let it burn in the mind for days. And perhaps in the soul forever.
I love this. Every word is delicate and beautiful. I appreciate also for the insight; it really helps to put the work into context. You have real talent. Thank you for sharing.
“A” game.